John A. Woodside, 1825 - Still Life: Peaches, Apple, ary Pear - printy tsara tarehy
Tafiditra ao anatiny. Kajy ny fandefasana amin'ny fisavana.
Fampahalalana momba ny vokatra zavakanto amin'ny antsipiriany
Tapitra ity 190 year-old artpiece was created by the artist John A. Woodside in 1825. The masterpiece was made with the size: 9 3/4 x 12 1/4 in (24,8 x 31,1 sm) ary novokarina tamin'ny medium menaka amin'ny hazo. Amin'izao fotoana izao, ity sangan'asa ity dia an'ny fanangonana ny Ny Mozean'ny kanto Metropolitan. Miaraka amin'ny fanajana ny The Metropolitan Museum of Art, NY, Rogers Fund, 1941 (fahazoan-dalana - sehatra ho an'ny daholobe). Fanampin'izany, ny sangan'asa dia manana ny creditline: Rogers Fund, 1941. Ankoatra izany, ny alignment dia tontolo miaraka amin'ny tahan'ny 4: 3, izay midika izany ny lavany dia 33% lava noho ny sakany.
Fidio ny karazana fitaovana fanontana zavakanto anao
Ho an'ny fanontana zavakanto tsirairay dia manolotra habe sy fitaovana isan-karazany izahay. Noho izany, mamela anao hisafidy amin'ireto safidy manaraka ireto ianao:
- Fanonta afisy (fitaovana canvas): The Artprinta poster print is a printed canvas with a fine surface finish. A printed poster is particularly qualified for putting your art replica using a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm round about the print, which facilitates the framing with your custom frame.
- Aluminum dibond printy: These are metal prints on aluminium dibond material with an outstanding effect of depth. The Aluminium Dibond Print is the excellent introduction to art replicas with aluminum. The print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely modern way to display fine art reproductions, since it puts 100% of the viewer’s focus on the replica of the artwork.
- Ny fanontana fitaratra acryl (miaraka amin'ny coating vera tena izy): A glossy print on acrylic glass, which is often described as a plexiglass print, changes the original work of art into amazing décor and is a good alternative to aluminium or canvas art prints. Your favorite artwork is being made thanks to modern UV direct print technology. The real glass coating protects your custom art print against sunlight and external influences for several decades.
- Ny canvas print: The UV printed canvas mounted on a wooden stretcher frame. A canvas makes the sculptural effect of three dimensionality. A canvas print has the advantage of being relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Hence, canvas prints are suited for all types of walls.
Important legal note: We try all that we can in order to depict the art products as closely as possible and to illustrate them visually. Nevertheless, the pigments of the printed materials and the imprint might vary to a certain extent from the presentation on your screen. Depending on the settings of your screen and the condition of the surface, colors can unfortunately not be printed as exactly as the digital version. Considering that all the fine art prints are printed and processed by hand, there might also be minor deviations in the motif's size and exact position.
Momba an'ity entana ity
Fanasokajiana ny vokatra: | dika kanto |
Fomba famokarana: | famokarana nomerika |
Teknika famokarana: | UV mivantana fanontana (fanontana nomerika) |
Manufacturing: | Vita amin'ny Alemanina |
Stock type: | misy mila |
Fampiasana vokatra nokasaina: | fandravahana rindrina, famolavolana trano |
Fanitsiana: | endrika landscape |
tahan'ny lafiny sary: | 4: 3 - (lavany: sakany) |
Dikan'ny sary ratio: | ny lavany dia 33% lava noho ny sakany |
Fitaovana azonao isafidianana: | pirinty canvas, pirinty metaly (aluminium dibond), pirinty fitaratra acryl (miaraka amin'ny coating vera tena izy), pirinty afisy (papier canvas) |
Kanvas eo amin'ny sarin'ny tonta (printy canvas): | 40x30cm - 16x12" |
Karazan-javatra vita amin'ny vera acrylic (miaraka amin'ny loko tena izy): | 40x30cm - 16x12" |
Haben'ny afisy (taratasy canvas): | 40x30cm - 16x12" |
Dibond print (fitaovana alumnium): | 40x30cm - 16x12" |
Sarin-tsary: | dika kanto tsy voarafitra |
Angon-drakitra momba ny zavakanto tsy manam-paharoa
Lohateny hosodoko: | "Still Life: Peaches, Apple, and Pear" |
Fanasokajiana ny zavakanto: | hoso-doko |
Fanasokajiana zavakanto: | art modern |
Time: | Taonjato faha 19 |
Taona famoronana: | 1825 |
Eo ho eo amin'ny taonan'ny zavakanto: | 190 taona |
Nolokoina tamin'ny: | menaka amin'ny hazo |
Ny refin'ny zava-kanto tany am-boalohany: | 9 3/4 x 12 1/4 in (24,8 x 31,1 sm) |
Museum / toerana: | Ny Mozean'ny kanto Metropolitan |
Toerana tranombakoka: | New York City, New York, Etazonia |
Pejin'ny tranombakoka: | Ny Mozean'ny kanto Metropolitan |
Karazana lisansa momba ny asa tanana: | bahoaka |
Nahazoana lalana avy amin'ny: | The Metropolitan Museum of Art, NY, Rogers Fund, 1941 |
Creditline: | Rogers Fund, 1941 |
Fampahalalana ankapobeny momba ny mpanakanto
Artist: | John A. Woodside |
Anarana fanampiny: | John A. Woodside, John Archibald Woodside |
Gender of the artist: | lahy |
zom-pirenen'ny mpanakanto: | Malagasy |
Ny asan'ny mpanakanto: | painter, history artist, artist |
Firenena mpanakanto: | Etazonia |
Fanasokajiana mpanakanto: | mpanakanto maoderina |
Androm-piainana: | 71 taona |
teraka: | 1781 |
tanàna niaviany: | Philadelphia, Philadelphia county, Pennsylvania, Etazonia |
taona maty: | 1852 |
Tanànan'ny fahafatesana: | Philadelphia, Philadelphia county, Pennsylvania, Etazonia |
© Copyright - www.artprinta.com (Artprinta)
Famaritana ankapobeny nataon'ny The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - Ny Mozean'ny kanto Metropolitan)
Woodside probably received his training from Philadelphia sign painter Matthew Pratt or one of Pratt’s business partners. In 1805, Woodside opened his own studio in Philadelphia, advertising his services as an ornamental or sign painter. He aspired to less mundane genres, however, and tried his hand at emblematic and patriotic works, animal scenes, miniatures, and copies after English engravings. This work and its companion, "Still Life: Peaches and Grapes" (41.152.1), are among Woodside’s few known still lifes and represent his best efforts as a painter. His arrangement of the fruit in a spare setting bears the stylistic imprint of the Peale family, who established a still-life tradition in Philadelphia in the early nineteenth century.