Jan Davidsz de Heem, 1640 - Mbola Fiainana: Sehatra Fanasan-damba - printy tsara tarehy

The kanto klasika asa kanto antsoina hoe Still Life: A Banqueting Scene nataon’ny lehilahy Anarana iombonana mpanao hosodoko Jan Davidsz de Heem in 1640. The original creation has the following exact dimensions - 53 1/4 x 73 in (135,3 x 185,4 sm) ary nolokoana tamin'ny teknika of menaka amin'ny lamba canvas. Amin'izao fotoana izao dia an'ny Ny Metropolitan Museum of Art digital collection. With courtesy of The Metropolitan Museum of Art, New York, Charles B. Curtis Fund, 1912 (mahazo alalana: sehatra ho an'ny daholobe). Creditline of the artwork: Charles B. Curtis Fund, 1912. The alignment is landscape and has a side ratio of 4: 3, midika izany ny lavany dia 33% lava noho ny sakany.

Fidio ny fitaovana tianao

Ny menio midina vokatra dia manome fahafahana anao hisafidy ny habeny sy ny fitaovanao manokana. Noho izany, mamela anao hisafidy amin'ireto safidy manaraka ireto ianao:

• Ny peta-drindrina (fitaovana canvas): The poster print is a UV printed cotton canvas with a fine surface finish, which resembles the original artwork. Please keep in mind, that depending on the size of the canvas poster print we add a white margin between 2-6cm around the work of art, which facilitates the framing with your custom frame.
• Aluminum dibond printy (metaly): Aluminium Dibond prints are metal prints with an outstanding effect of depth, creating a contemporary impression thanks to a surface , which is not reflective. A direct Aluminium Dibond Print is the perfect introduction to art reproductions manufactured with aluminum. The bright and white parts of the artpiece shine with a silk gloss, however without glow. The colors are bright and luminous in the highest definition, the fine details of the print are very clear. This UV print on aluminium is one of the most popular entry-level products and is a stylish way to display art prints, as it draws attention on the replica of the artwork.
• Ny canvas print: A printed canvas, not to be mistaken with a real painting on a canvas, is a digital replica printed on an industrial printer. What is more, canvas makes a charming, appealing effect. Canvas Prints have the advantage of being low in weight, which means that it is easy to hang the Canvas print without the help of additional wall-mounts. A canvas print is suited for any type of wall.
• Akrilika vera printy (miaraka amin'ny tena fitaratra coating): A glossy acrylic glass print, often denoted as a UV print on plexiglass, will transform your favorite original into beautiful décor. The work of art is manufactured with state-of-the-art UV direct print technology. This makes impressive and vivid colors.

Important note: We try everythig possible to depict our products with as many details as possible and to showcase them visually on the different product detail pages. Please bear in mind that the tone of the printed materials and the printing may diverge to a certain extent from the presentation on the screen. Depending on the screen settings and the condition of the surface, colors might not be printed one hundret percent realistically. Since our are processed and printed by hand, there may also be minor deviations in the motif's exact position and the size.

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What does the The Metropolitan Museum of Art write about this artwork created by Jan Davidsz de Heem? (© Copyright - The Metropolitan Museum of Art - Ny Mozean'ny kanto Metropolitan)

The attribution of this large and luxurious still life has gone back and forth between Jan de Heem and his followers, but the painting was most likely painted by De Heem himself about 1640–41 in Antwerp, where he moved from Leiden in the mid-1630s. The scale, palatial setting, and oversized motifs are consistent with Flemish taste. The provincial clock intrudes with its unwelcome message (life is fleeting), like a country preacher sitting down to dinner at Versailles.