James Peale, 1820 - Mbola Fiainana: Balsam Apple sy Vegetables - printy tsara tarehy
Tafiditra ao anatiny. Kajy ny fandefasana amin'ny fisavana.
Fampahafantarana tany am-boalohany momba ny sangan'asa nataon'ny tranokalan'ny tranombakoka (© Copyright - The Metropolitan Museum of Art - www.metmuseum.org)
This painting dates from a peak period of James Peale's career. While he typically used somber colors and linear forms, his use of vivid colors and painterly execution in this work suggest that it is a somewhat experimental exercise. With its focus on lavish vegetable forms, this work resembles still lifes of the Spanish school. The vegetables are, from left to right, okra, blue-green cabbage, crinkly Savoy cabbage, Hubbard squash, eggplant, balsam apple, tomatoes, and purple-red cabbage.
Fampahalalana fototra momba ny asa kanto
Lohatenin'ny asa kanto: | "Still Life: Balsam Apple and Vegetables" |
Fanasokajiana ny zavakanto: | hoso-doko |
Sokajy: | art modern |
Time: | Taonjato faha 19 |
Noforonina tamin'ny: | 1820 |
Taonan'ny asa tanana: | 200 taona mahery |
Nolokoina tamin'ny: | menaka amin'ny lamba canvas |
refy tany am-boalohany: | 20 1/4 x 26 1/2 in (51,4 x 67,3 sm) |
Museum / toerana: | Ny Mozean'ny kanto Metropolitan |
Toerana tranombakoka: | New York City, New York, Etazonia |
Misy amin'ny: | Ny Mozean'ny kanto Metropolitan |
Mombamomba ny mpanoratra: | bahoaka |
Nahazoana lalana avy amin'ny: | The Metropolitan Museum of Art, New York, Maria DeWitt Jesup Fund, 1939 |
Creditline: | Maria DeWitt Jesup Fund, 1939 |
Tabilao famintinana mpanakanto
Name: | James Peale |
Anarana fanampiny: | James Peale, James Peale |
lahy sy vavy: | lahy |
zom-pirenena mpanakanto: | Malagasy |
Ny asan'ny artista: | Artista amerikana |
Firenena: | Etazonia |
fanasokajiana: | mpanakanto maoderina |
Karazan-kanto: | Romantisme |
Faharetana: | 82 taona |
teraka: | 1749 |
toerana nahaterahan'i: | Chestertown |
Maty tamin'ny taona: | 1831 |
Andininy lahatsoratra voarafitra
Fanasokajiana lahatsoratra: | famokarana kanto tsara |
Famokarana: | famokarana amin'ny endrika nomerika |
Ny dingana famokarana: | UV pirinty / fanontana nomerika |
Production: | Germany |
Stock type: | misy mila |
Fampiasa vokatra: | famolavolana trano, zavakanto rindrina |
Fanitsiana: | fampifanarahana ny tontolo iainana |
Aspect ratio: | 4: 3 (lava: sakany) |
Fepetra: | ny lavany dia 33% lava noho ny sakany |
Fitaovana azonao isafidianana: | pirinty canvas, pirinty metaly (aluminium dibond), pirinty afisy (papier canvas), pirinty vera acryl (miaraka amin'ny coating vera tena izy) |
Haben'ny fanontam-pirinty (canvas eo amin'ny sarin'ny fanerena): | 40x30sm - 16x12", 80x60sm - 31x24", 120x90sm - 47x35", 160x120sm - 63x47" |
Akrilika vera printy (miaraka amin'ny tena fitaratra coating): | 40x30sm - 16x12", 80x60sm - 31x24", 120x90sm - 47x35", 160x120sm - 63x47" |
Safidy habe amin'ny fanontana afisy (taratasy canvas): | 40x30sm - 16x12", 80x60sm - 31x24", 120x90sm - 47x35" |
Aluminum dibond printy: | 40x30sm - 16x12", 80x60sm - 31x24", 120x90sm - 47x35" |
Fandrafetana sary pirinty: | tsy tafiditra |
Fidio ny karazana fitaovanao
Manolotra karazana habe sy fitaovana isan-karazany izahay ho an'ny vokatra tsirairay. Ireto habe sy fitaovana manaraka ireto no safidy atolotray ho anao manokana:
- Ny fanontana afisy (fitaovana canvas): The Artprinta poster is a UV printed sheet of canvas with a granular structure on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the print motif in order to facilitate the framing.
- Ny canvas print: The canvas print, not to be mistaken with an artwork painted on a canvas, is a digital copy printed directly on cotton canvas material. In addition to that, a canvas creates a cosy and positive look. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. A canvas print is suited for any type of wall.
- Aluminium printy (aluminium dibond): This is a metal print manufactured on aluminium dibond with a true depth. A non-reflective surface structure creates a modern look. The bright & white sections of the artpiece shine with a silky gloss, however without glow. The colors of the print are luminous in the highest definition, the details of the print appear crisp.
- Akrilika vera printy (miaraka amin'ny tena fitaratra coating): An print on acrylic glass, often named a UV print on plexiglass, will transform the artwork into magnificient wall décor. The major upside of a plexiglass fine art print is that sharp contrasts and smaller color details become more identifiable because of the granular gradation in the print. The plexiglass with real glass coating protects your custom art print against sunlight and heat for many decades.
Inona no karazana vokatra atolotray eto?
This over 200 year-old artpiece was created by the painter James Peale in 1820. Ny over 200 years old original version measures the size - 20 1/4 x 26 1/2 in (51,4 x 67,3 sm). Menaka amin'ny lamba canvas was used by the American artist as the medium of the artwork. Moveover, this work of art is in the the Ny Metropolitan Museum of Art collection located in New York City, New York, United States of America. With courtesy of: The Metropolitan Museum of Art, New York, Maria DeWitt Jesup Fund, 1939 (fahazoan-dàlana ho an'ny daholobe). Ankoatr'izay, ny asan'ny zavakanto dia manana ny creditline manaraka: Maria DeWitt Jesup Fund, 1939. Ankoatra izany, dia ny alignment tontolo ary manana ratio lafiny ny 4: 3, midika izany ny lavany dia 33% lava noho ny sakany. James Peale was a American artist of American nationality, whose style can mainly be classified as Romanticism. The painter lived for a total of 82 taona ary teraka tamin'ny taona 1749 in Chestertown and passed away in the year 1831.
Fanamarihana manan-danja ara-dalàna: We try what we can in order to depict the art products as precisely as possible and to exhibit them visually in our shop. Although, the colors of the print products and the printing can vary somehwat from the presentation on the device's screen. Depending on the screen settings and the nature of the surface, not all colors are printed as realisitcally as the digital version shown here. Given that all the fine art prints are processed and printed by hand, there might also be minor differences in the motif's exact position and the size.
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