Rembrandt van Rijn, 1635 - Lehilahy amin'ny akanjo tatsinanana - printy tsara tarehy

39,99 €

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Famaritana ny lahatsoratra

Ity mihoatra ny 380 kanto taona iray antsoina hoe Man in Oriental Costume dia nolokoin'ny Rembrandt Van Rijn. Ny tany am-boalohany dia mandrefy ny habeny 98,5 x 74,5 sm (38 3/4 x 29 5/16 in) ary nolokoana tamin'ny teknika of oil on canvas. This piece of art is included in the National Gallery of Art digital art collection, which is located in Washington D.C., United States of America. With courtesy of - National Gallery of Art, Washington (sehatra ho an'ny daholobe).: . Ankoatr'izay, ny fampifanarahana ny famokarana nomerika dia Mombamomba ny mpanoratra with an image ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter Rembrandt van Rijn was a European artist, whose artistic style was primarily Baroque. The Baroque artist lived for 63 years, born in the year 1606 tany Leiden ary maty tamin'ny 1669.

Fanampim-panazavana momba ny zavakanto tany am-boalohany avy amin'ny tranokalan'ny tranombakoka (© Copyright - National Gallery of Art - www.nga.gov)

Rehefa avy nianatra ny fototry ny fanaovana sary sy sary hosodoko tany Leiden niaviany i Rembrandt van Rijn dia nandeha tany Amsterdam tamin'ny 1624 mba hianatra nandritra ny enim-bolana niaraka tamin'i Pieter Lastman (1583–1633), mpanao hosodoko tantara malaza. Rehefa vita ny fiofanany dia niverina tany Leiden i Rembrandt. Manodidina ny taona 1632 izy no nifindra tany Amsterdam, ary nametraka haingana ny tenany ho mpanakanto malaza indrindra tao an-tanàna, manam-pahaizana manokana amin'ny sary hosodoko sy sary hosodoko. Nahazo komisiona maro izy ary nahasarika mpianatra maromaro tonga nianatra ny fomba fandokoana.

In this imposing half-length image, a bearded man wearing an elaborate, bejeweled turban stares out at the viewer, his features strongly modeled by light streaming in from the left. A fur-lined cape, loosely clasped at the neck with a gold chain, covers his shoulders. His right hand grasps the sash that wraps around his waist, while his other hand rests on a wooden staff. An aigrette, a type of pin with a tuft of ornamental bird feathers that was a standard part of Ottoman attire, secures a heavy gold chain on the man’s turban.

Rembrandt, as a history painter, was particularly intrigued by the Middle East, where so many of the Biblical stories he frequently depicted had taken place. Rembrandt’s paintings, drawings, and etchings of the 1630s included numerous figures who wear Middle-Eastern garb. By the early seventeenth century the commercial enterprises of Dutch merchants had reached the Middle East, so exotically dressed foreigners were a familiar sight in the streets and marketplaces of Amsterdam. Exotic attire became a fashion fad, and Dutch men, including Rembrandt himself, would sometimes be portrayed wearing similar outfits. At the same time, Dutch collectors avidly sought to acquire exotica from all parts of the world, including shells, swords, musical instruments, and costumes, which they would then display for visitors to admire. Rembrandt owned such a collection, known as a kunstkamer, or cabinet of curiosities. His encyclopedic holdings of art and artifacts served as props for Rembrandt and his students, but the artist was also motivated to amass such a collection by his desire to be recognized as a full-fledged member of the class of gentlemen-collectors.

Fampahalalana momba ny zavakanto voarafitra

Lohatenin'ny zava-kanto: "Man in Oriental Costume"
Fanasokajiana sangan'asa: hoso-doko
Term ankapobeny: kanto klasika
Taon-javakanto: Taonjato faha 17
Noforonina tamin'ny: 1635
Eo ho eo amin'ny taonan'ny zavakanto: 380 taona
Karazan-kanto tany am-boalohany: menaka amin'ny lamba canvas
Haben'ny zavakanto tany am-boalohany: 98,5 x 74,5 sm (38 3/4 x 29 5/16 in)
Tranombakoka: National Gallery of Art
Toerana misy ny tranombakoka: Washington DC, Etazonia
Website: www.nga.gov
Karazan-dàlana: bahoaka
Nahazoana lalana avy amin'ny: National Gallery of Art, Washington

Fampahalalana momba ny artista voarafitra

Anaran'ny mpanakanto: Rembrandt Van Rijn
Gender: lahy
zom-pirenena: Anarana iombonana
Ny asan'ny artista: mpanao hosodoko
Firenena mpanakanto: ny Holandey
fanasokajiana: tompo taloha
Styles: Santionan'izany fiangaly
Maty tamin'ny taona: 63 taona
Taona nahaterahana: 1606
Toerana nahaterahana: Leiden
Taonan'ny fahafatesana: 1669
maty tany (toerana): Amsterdam

Mifidiana safidy fitaovana

In the product dropdown lists you can pick your individual size and material. Pick your preferred material and size between the subsequent alternatives:

  • Afisy vita pirinty (fitaovana canvas): A poster is a printed flat canvas paper with a slight structure on the surface, that resembles the original artwork. The poster print is designed for framing your art copy using a custom-made frame. Please note, that depending on the size of the canvas poster print we add a white margin 2-6cm around the painting to facilitate the framing with a custom frame.
  • Aluminum dibond printy: An Aluminium Dibond print is a material with an outstanding depth effect. Its non-reflective surface structure creates a modern look. The white & bright parts of the artpiece shine with a silky gloss but without glare.
  • Acrylic fitaratra pirinty: A glossy print on acrylic glass, often referenced as a UV print on plexiglass, will change your favorite original work of art into stunning décor. Additionally, the acrylic art print forms a good alternative to dibond and canvas art prints. The work of art is custom-made thanks to modern UV printing technology. The great upside of a plexiglass print is that contrasts and smaller details will be recognizeable due to the very fine tonal gradation of the print. Our real glass coating protects your custom art replica against light and heat for between 4 and six decades.
  • Canvas print: A printed canvas material stretched on a wood frame. Hanging your canvas print: Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Therefore, canvas prints are suitable for any kind of wall.

Ny antsipirian'ny singa voarafitra

Karazana lahatsoratra: famokarana zavakanto
Fomba famokarana: famokarana amin'ny endrika nomerika
Ny dingana famokarana: Fanontam-pirinty mivantana UV (printy nomerika)
Production: Vita amin'ny Alemanina
Stock type: on demand production
Fampiasana vokatra naroso: haingon-trano, zavakanto rindrina
Orientation: endrika sary
Aspect ratio: halavany: sakany - 3: 4
izay midika hoe: ny lavany dia 25% fohy noho ny sakany
Misy variants: pirinty canvas, pirinty afisy (papier canvas), pirinty vera acryl (miaraka amin'ny coating vera tena izy), pirinty metaly (aluminium dibond)
Canvas print (canvas on stretcher frame): 30x40sm - 12x16", 60x80sm - 24x31", 90x120sm - 35x47", 120x160sm - 47x63"
Ny habe vita amin'ny vera akrilika (miaraka amin'ny loko tena izy): 30x40sm - 12x16", 60x80sm - 24x31", 90x120sm - 35x47", 120x160sm - 47x63"
Afisy printy (taratasy vita amin'ny lamba): 30x40sm - 12x16", 60x80sm - 24x31", 90x120sm - 35x47"
Fanontam-pirinty aluminium (fitaovana aluminium dibond) variana habe: 30x40sm - 12x16", 60x80sm - 24x31", 90x120sm - 35x47"
Famoronana ny zavakanto: Azafady, tadidio fa tsy misy frame ity vokatra ity

Fampahalalana manan-danja: We try all that we can to describe our art products in as much detail as possible and to exhibit them visually in our shop. Still, the tone of the print products and the imprint might differ to a certain extent from the presentation on the device's screen. Depending on the settings of your screen and the quality of the surface, not all colors are printed as exactly as the digital version. In view of the fact that all our art prints are printed and processed manually, there might also be slight deviations in the exact position and the size of the motif.

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