Pierre Bonnard, 1903 - Hariva eo ambanin'ny jiro (Ny takariva eo ambanin'ny jiro) - fanaovana pirinty tsara tarehy

Fanazavana amin'ny antsipiriany momba ny lahatsoratra

The art modern work of art titled "Evening Under the Lamps (The evening under the lights)" was made by the post-impressionist master Pierre Bonnard in 1903. The original has the following size Overall: 14 5/8 x 19 in (37,2 x 48,2 cm). Menaka amin'ny lamba canvas was applied by the European painter as the technique for the artwork. Nowadays, this piece of art is included in the collection of Barnes Foundation. With courtesy of Courtesy of the Barnes Foundation, Merion sy Philadelphia, Pennsylvania (fahazoan-dalana - sehatra ho an'ny daholobe).Creditline ny sangan-kanto: . Ankoatra izany, ny fampifanarahana ny famokarana nomerika dia ao tontolo endrika ary manana ny tahan'ny sary 4: 3, izay midika izany ny lavany dia 33% lava noho ny sakany. Pierre Bonnard was a male printer, engraver, painter, sculptor, graphic artist, whose art style can mainly be attributed to Post-Impressionism. The artist lived for 80 taona - teraka tany 1867 in Fontenay-aux-Roses, Ile-de-France, France and passed away in the year 1947 in le Cannet, Provence-Alpes-Cote d'Azur, France.

Safidio ny fitaovana ilainao

Manolotra karazana habe sy fitaovana isan-karazany izahay ho an'ny vokatra tsirairay. Avelanay hisafidy amin'ireto variana manaraka ireto ianao:

• Fanontam-pirinty acrylique manjelanjelatra (miaraka amin'ny loko tena izy eo ambony): A glossy print on acrylic glass, often denoted as a plexiglass print, will convert your favorite original work of art into beautiful wall decoration. Besides, it is a great alternative option to aluminium and canvas art prints. The artwork will be manufactured thanks to the help of modern UV printing machines. This creates the image effect of impressive, rich colors.
• Fanonta afisy (fitaovana canvas): The poster is a printed flat cotton canvas with a slight structure on the surface, that resembles the actual version of the artwork. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6cm round about the work of art to facilitate the framing with your custom frame.
• lamba: The canvas direct print is a printed canvas mounted on a wooden frame. Furthermore, a canvas produces a charming, enjoyable appearance. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Hence, a canvas print is suited for all types of walls.
• Dibond aluminium (printy metaly): This is a metal print manufactured on aluminium dibond with an outstanding effect of depth, which creates a modern look throuch a surface , which is not reflective. The bright & white parts of the work of art shimmer with a silk gloss, however without glow.

Fanamarihana manan-danja: We try in order to describe the art products as closely as possible and to illustrate them visually. At the same time, the tone of the printing material and the printing may diverge to a certain extent from the image on your screen. Depending on the settings of your screen and the condition of the surface, not all color pigments can be printed 100% realistically. Since all the fine art prints are processed and printed manually, there might also be slight deviations in the size and exact position of the motif.

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What does the website of the Barnes Foundation write about the 20th century work of art created by Pierre Bonnard? (© Copyright - Barnes Foundation - barnes foundation)

With the rapid modernization of European cities during the nineteenth century, the domestic interior gained importance as a place of refuge from public life. Urban centers like Paris and New York were plagued by loud noises, crime, bad air, diseases, and bustling crowds. The modern home, by contrast, offered a peaceful environment where individuals could recuperate from the chaos of the new metropolis. Pierre Bonnard delighted in the depiction of intimate interiors, producing countless representations of his friends and family enjoying activities like reading, sewing, and looking at prints. Evening Under the Lamps presents a comfortable bourgeois household lit with a warm glow. Two women and children are engaged in quiet pursuits, though exact nature of their activities is indecipherable. In exchange for narrative precision, Bonnard focuses on the decorative qualities of his subject, covering his canvas in patterns of color and light and rhythmically repeating the glow of the lamps as reflections—in the mirror, on the wall, and in the window. Despite their physical closeness, the four figures do not seem to interact. Even the standing child is compositionally separated from her playmate by the heavy base of a table lamp.