Jan Gossaert, 1532 - Sarin'ny lehilahy iray - printy tsara tarehy

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This more than 480 years old artpiece "Portrait of a Man" was made by Jan Gossaert in 1532. What is more, this artwork is part of the art collection of Statens Museum for Kunst (Gallery National de Danemark), which is the largest museum of fine arts in Denmark and is attached to the Danish Ministry of Culture.. With courtesy of: National Gallery of Denmark (licence - sehatra ho an'ny daholobe).Creditline ny sangan-kanto: . Ankoatr'izay, ny fampifanarahana dia portrait ary manana tahan'ny 1: 1.4, izay midika fa izany ny lavany dia 29% fohy noho ny sakany.

Fampahalalana momba ny zavakanto avy amin'ny tranombakoka (© - nataon'i Statens Museum for Kunst (Gallery National de Danemark) - Statens Museum for Kunst (Gallery National de Danemark))

Nostrils flaring, lips tight, the man looks firmly ahead. His identity is unknown to us, but as a type he is timeless, and we recognise him as a strong and forceful personality for whom the end justifies the means.

The artist Gossaert Jan Gossaert became a master of the St. Luke’s Guild of painters in Antwerp in 1503. Only a few years later his work would take him from one royal patron to the next throughout all of Europe. The circle of patrons included the Danish King Christian 2. (1481-1559), whose children Gossaert portrayed in a painting that was to be one of the first secular group portraits in art history (Hampton Court, London). The small princes and princesses greet us with gazes full of childish gravity, painted with the same keen sense of the individual personality that characterises the unknown man.

Gossaert's portraits with inner depth Portraits with inner depth in the depictions of persons gained ground with the Italian Renaissance, a movement that Gossaert had ample opportunities to familiarise himself with and communicate to wider audiences north of the Alps. The style of painting, characterised by muted colours and an enamel-like varnish, places this portrait within Gossaert’s mature period.

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• Canvas print: The printed canvas material stretched on a wooden stretcher frame. A canvas produces a extra look of three dimensionality. In addition to that, a printed canvas produces a lively and pleasing feeling. The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without extra wall-mounts. A canvas print is suited for all kinds of walls.
• Ny peta-drindrina vita amin'ny lamba: The poster print is a UV printed sheet of canvas paper with a nice texture on the surface, that reminds the actual version of the work of art. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the print motif, which facilitates the framing with a custom frame.
• Atao amin'ny vera acryl manjelanjelatra: The acrylic glass print, often described as a print on plexiglass, will convert your favorite artwork into magnificient décor. The artwork is being custom-made with state-of-the-art UV direct printing technology. Our plexiglass with real glass coating protects your selected fine art print against sunlight and external influences for up to six decades.
• Aluminum dibond: This is a metal print made on aluminium dibond with an impressive depth. For the Direct Aluminium Dibond option, we print your chosen artwork right on the aluminium composite white-primed surface. The bright parts of the artpiece shine with a silky gloss but without glow.

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Fanamarihana manan-danja: We try our utmost to depict the art products in as much detail as possible and to exhibit them visually. Please keep in mind that the pigments of the printed materials and the imprint may vary slightly from the presentation on the screen. Depending on your screen settings and the quality of the surface, not all colors will be printed as realistically as the digital version. Bearing in mind that all art reproductions are printed and processed manually, there might as well be slight discrepancies in the size and exact position of the motif.

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