Charles Willson Peale, 1779 - George Washington - printy tsara tarehy

Famaritana momba ny zavakanto tany am-boalohany nataon'ny tranombakoka (© - nataon'ny The Metropolitan Museum of Art - Ny Mozean'ny kanto Metropolitan)

On January 18, 1779, the Supreme Executive Council of Pennsylvania passed a resolution commissioning a portrait of George Washington for the Council Chamber and selected Charles Willson Peale as the artist. In preparation, Peale traveled to the Princeton and Trenton battlefields in February of 1779 to make sketches for the background. The original portrait, the full-length version now in the Pennsylvania Academy of Fine Arts, was a tremendous success and Peale completed numerous copies for royal palaces abroad, each time updating the general's military dress. This figure of George Washington was probably painted between June and August of 1780. In every other version, Washington is shown after the Battle of Princeton, but here he is depicted after the Battle of Trenton, the turning point of the war. It has been suggested that this portrait was commissioned upon the order of Mrs. Washington, because it is the only portrait in which Washington wears his state sword and because the painting descended in the Washington family.

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• Akrilika vera printy (miaraka amin'ny tena fitaratra coating): The acrylic glass print, often referenced as a UV print on plexiglass, will transform the original into brilliant home décor. Moreover, the acrylic art print is a viable alternative to dibond and canvas prints. The work of art is being printed thanks to state-of-the-art UV printing machines. The great upside of an acrylic glass art print is that contrasts and minor details will be visible thanks to the subtle gradation.
• Poster (fitaovana canvas): The Artprinta poster is a printed sheet of cotton canvas paper with a granular surface structure. It is particularly used for placing the art print in a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2-6 cm around the work of art in order to facilitate the framing with your custom frame.
• Canvas print: The printed canvas, which should not be mistaken with a canvas painting, is a digital replica applied onto cotton canvas. Additionally, a canvas produces a attractive and enjoyable ambience. Your canvas of your favorite artwork will let you turn your personal fine art print into a large artpiece. The great advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up the Canvas print without the support of additional wall-mounts. Because of thata canvas print is suitable for all kinds of walls in your house.
• Dibond aluminium (printy metaly): These are metal prints on alu dibond material with a true depth. A direct Aluminium Dibond Print is your excellent introduction to art replicas on alu. For the Print On Aluminum Dibond, we print your favorite artwork onto the surface of the white-primed aluminum composite. The bright & white components of the original work of art shimmer with a silky gloss but without the glow. The colors of the print are vivid and luminous in the highest definition, fine details of the print are very clear, and you can feel a matte appearance of the art print surface.

In 1779 Charles Willson Peale nandoko ity kanto klasika artwork. The version of the masterpiece was painted with the size: 95 x 61 3/4 in (241,3 x 156,8 sm). Oil on canvas was used by the artist as the medium of the artpiece. It is included in the Ny Metropolitan Museum of Art collection. We are glad to mention that the public domain piece of art is supplied with courtesy of The Metropolitan Museum of Art, New York, Gift of Collis P. Huntington, 1897. Creditline amin'ny zavakanto: Gift of Collis P. Huntington, 1897. Moreover, alignment is portrait and has a ratio of 2 : 3, meaning that ny lavany dia 33% fohy noho ny sakany.

Fialana andraikitra ara-dalàna: We try our best to depict the art products with as many details as possible and to illustrate them visually. Still, the colors of the printing material, as well as the imprint can vary slightly from the presentation on the monitor. Depending on the screen settings and the condition of the surface, not all colors are printed as exactly as the digital version. Because all are printed and processed manually, there might as well be minor differences in the motif's exact position and the size.

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