Édouard Manet, 1866 - The Races at Longchamp - printy tsara tarehy

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• Canvas print: The canvas direct print is a printed cotton canvas mounted on a wooden stretcher. It makes a exclusive look of three dimensionality. Your printed canvas of this masterpiece will provide you with the unique opportunity to transform your art print into a large size artpiece. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy and straightforward to hang up your Canvas print without the help of any wall-mounts. Canvas prints are suited for all kinds of walls.
• vita printy vera acrylic (miaraka amin'ny fonony fitaratra tena izy eo ambony): The print on acrylic glass, which is often denoted as a UV print on plexiglass, will transform your favorite original artwork into décor. Furthermore, it is a viable alternative option to dibond and canvas prints. The work of art will be made with the help of state-of-the-art UV direct printing technology. This has the effect of stunning, rich color tones. With an acrylic glass fine art print contrasts and smaller artwork details will be visible thanks to the very subtle tonal gradation of the picture. The real glass coating protects your chosen art print against light and external influences for between four and 6 decades.
• Fanontana afisy amin'ny fitaovana canvas: The Artprinta poster is a UV printed canvas with a slightly rough texture on the surface, which resembles the actual masterpiece. The poster is optimally suited for placing your art replica in a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin of around 2-6 cm around the artwork, which facilitates the framing with your custom frame.
• Aluminum dibond: An Aluminium Dibond print is a print with an impressive depth effect. For the Print On Aluminum Dibond, we print your work of art onto the surface of the white-primed aluminum material. The white & bright sections of the work of art shine with a silk gloss but without glow. This UV print on aluminium is one of the most popular entry-level products and is a truly contemporary way to showcase fine art reproductions, as it draws focus on the replica of the artwork.

Fialana andraikitra ara-dalàna: We try our utmost in order to depict the art products as clearly as possible and to demonstrate them visually in our shop. Nonetheless, the pigments of the printing material and the imprint can diverge somehwat from the representation on your screen. Depending on the settings of your screen and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Considering that all art reproductions are printed and processed by hand, there might as well be slight deviations in the motif's exact position and the size.

Additional artwork information from Art Institute Chicago (© - Art Institute Chicago - www.artic.edu)

With a characteristic focus on the pleasures of modern life, Édouard Manet depicted this scene of the racetrack in the Bois de Boulogne, on the western outskirts of Paris. The popularity of Longchamp, where races were run for the first time in 1857, signaled a general revival in French horse racing. This painting records the last moments of a race, as the horses rush past the finish line, indicated by the pole with a circular top. Unlike traditional sporting artists, who always showed races from the side, Manet dared to compose the scene so that the throng of horses and jockeys thunders straight toward the viewer.

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Ny asa kanto The Races at Longchamp dia noforonin'ny lahy mpanao hosodoko Edouard Manet in 1866. The artpiece was painted with the size: 44,0 × 84,2 sm (17 5/16 × 33 1/8 in). Menaka amin'ny lamba canvas was used by the French artist as the medium of the masterpiece. "Inscribed at lower right: Manet. / 1866" was the artpiece's original inscription. Today, this artwork is included in the collection of Art Institute Chicago, izay iray amin'ireo tranombakoka zava-kanto lehibe eran'izao tontolo izao, mitahiry famoriam-bola maharitra taonjato maro sy eran'izao tontolo izao. Miaraka amin'ny - Art Institute Chicago (fahazoan-dàlana ho an'ny daholobe). The creditline of the artwork is: Potter Palmer Collection. On top of that, alignment of the digital reproduction is landscape and has an image ratio of 2 : 1, which means that ny lavany dia avo roa heny noho ny sakany. Édouard Manet was a male painter, whose style can primarily be classified as Realism. The French artist was born in the year 1832 and passed away at the age of 51 amin'ny taona 1883.

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