Johan Barthold Jongkind, 1864 - Fidirana mankany amin'ny seranan-tsambon'i Honfleur - printy tsara tarehy

Fampahalalana momba ny zavakanto printy "Entrance to the Port of Honfleur"

The piece of art was made by the artist Johan Barthold Jongkind. The over 150 taona tany am-boalohany dia nolokoana tamin'ny habeny: 16 5/8 x 22 1/4 in (42,2 x 56,2 sm) ary nolokoina tamin'ny menaka antonony teo amin'ny lamba. Inscribed lower right: Jongkind 1864 was the masterpiece's original inscription. Besides, the work of art is part of the digital collection of Art Institute Chicago. The art modern bahoaka asa kanto dia omena amin'ny fanajana ny Art Institute Chicago. Ankoatra izany, ny zavakanto dia manana ny créditline: Louise B. and Frank H. Woods Purchase Fund in honor of The Art Institute of Chicago Diamond Jubilee. Ankoatr'izay, ny fampifanarahana ny famokarana nomerika dia ao tontolo endrika miaraka amin'ny tahan'ny 4: 3, midika izany ny lavany dia 33% lava noho ny sakany. The painter Johan Barthold Jongkind was an artist, whose art style can mainly be classified as Impressionism. The painter was born in the year 1819 ary nodimandry tamin'ny taona 72 in 1891 in La Cote-Saint-Andre, Auvergne-Rhône-Alpes, France.

Artwork specifications as provided from Art Institute Chicago (© Copyright - Art Institute Chicago - www.artic.edu)

Along with Eugène-Louis Boudin (see his Approaching Storm), Johan Barthold Jongkind brought a new spirit to the painting of coastal scenes. In content, palette, and technique, the works of these two older artists played an important part in the development of Impressionism. Claude Monet knew Boudin well and adopted him as his mentor, but he claimed that it was Jongkind who “educated his eye.” Though they painted their final compositions in the studio, both Boudin and Jongkind strove to retain the freshness of their plein-air (outdoor) sketches.

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