Tompon'i Saint Augustine, 1490 - Seho avy amin'ny fiainan'i Saint Augustine avy any Hippo - printy tsara tarehy
Tafiditra ao anatiny. Kajy ny fandefasana amin'ny fisavana.
Inona no fitaovana tianao indrindra?
Ho an'ny printy tsara rehetra dia manolotra fitaovana sy habe samihafa izahay. Avelanay hisafidy amin'ireto variana manaraka ireto ianao:
- Canvas print: A canvas direct print is a printed canvas mounted on a wood frame. It produces the exclusive impression of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight. This means, it is quite simple to hang up your Canvas print without any wall-mounts. That is why, a canvas print is suited for any kind of wall.
- Ny fanontana afisy (fitaovana canvas): The poster print is a UV printed canvas paper with a nice structure on the surface, that resembles the original masterpiece. It is optimally appropriate for placing your art print in a custom-made frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing with your custom frame.
- Aluminum dibond printy: Aluminium Dibond prints are prints on metal with a true effect of depth. A direct Aluminium Dibond Print is your perfect introduction to the sophisticated world of fine art prints with aluminum. The white & bright sections of the original artpiece shimmer with a silk gloss but without glare. The colors of the print are luminous in the highest definition, details are crisp and clear, and you can perceive a matte appearance of the product. This print on aluminium is the most popular entry-level product and is an extremely sophisticated way to display fine art prints, since it puts all of the viewer’s attention on the whole artwork.
- Akrilika vera printy (miaraka amin'ny tena fitaratra coating): An print on acrylic glass, which is sometimes referenced as a plexiglass print, makes your favorite original artwork into lovely décor. Your work of art is being made with modern UV direct printing machines. Our acrylic glass protects your selected art print against light and heat for many decades.
Fanamarihana manan-danja ara-dalàna: We try what we can to depict our products as closely as possible and to display them visually on the respective product detail pages. Nonetheless, the pigments of the printing material and the print result may differ to a certain extent from the image on the screen. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed one hundret percent realistically. In view of the fact that the art prints are printed and processed by hand, there may as well be minor differences in the exact position and the size of the motif.
Fampahalalana momba ny zavakanto nataon'ny The Metropolitan Museum of Art (© - The Metropolitan Museum of Art - Ny Mozean'ny kanto Metropolitan)
This painting was the central panel of a triptych dedicated to Saint Augustine (354–430), a Christian theologian so celebrated that he is sometimes called a Doctor of the Church. The composition is divided into five scenes: in the center, Saint Augustine is consecrated bishop of Hippo Regius, a Roman city in present-day Algeria; in the upper left, Saint Augustine is ordained as a priest; in the lower left, Saint Augustine preaches while his mother, Monica, anachronistically says the rosary, a prayer regimen of the late Middle Ages. At the upper right, Saint Augustine converses with a boy who says that filling a hole in the sand with the sea is no more difficult than explaining the Trinity; and in the lower right, Saint Augustine preaches. In the windows behind the altar at the right are kneeling figures of a man and woman, along with coats of arms. Might these be clues to the original place for which the altarpiece was created, or are they pure inventions? Of particular interest in this panel are the detailed and richly depicted varieties of ecclesiastical vestments and altar implements, many examples of which are similar to works displayed in the Cloisters’ Treasury.
Description
This classic art artwork was created by the painter Master of Saint Augustine. The 530 years old version of the work of art had the following size: Framed: 59 7/8 × 64 1/2 × 2 3/4 in, 98 lb, (152,1 × 163,8 × 7 cm, 44,5 kg) 54 1/4 × 59 in (137,8 × 149,9 cm) Other (greatest thickness): 3/8 in (1 cm). Oil, gold, and silver on wood was used by the European painter as the medium of the artwork. Moveover, the piece of art can be viewed in in the digital collection of Ny Mozean'ny kanto Metropolitan, izay iray amin'ireo tranombakoka zava-kanto lehibe indrindra sy tsara indrindra eran-tany, izay ahitana sangan'asa maherin'ny roa tapitrisa nandritra ny dimy arivo taona teo amin'ny kolontsaina eran-tany, nanomboka tamin'ny taloha ka hatramin'izao ary avy amin'ny faritra rehetra amin'ny tany.. Amin'ny alalan'ny: Metropolitan Museum of Art, New York, The Cloisters Collection, 1961 (public domain). The creditline of the artwork is the following: The Cloisters Collection, 1961. Moreover, alignment of the digital reproduction is kianja miaraka amin'ny lafiny lafiny 1: 1, izay midika izany mitovy amin'ny sakany ny lavany.
Fampahalalana voarafitra momba ny asa kanto
Anaran'ny sary hosodoko: | "Scenes from the Life of Saint Augustine of Hippo" |
Fanasokajiana ny asa kanto: | hoso-doko |
Term ankapobeny: | kanto klasika |
Century: | Taonjato faha 15 |
Noforonina tamin'ny: | 1490 |
Eo ho eo amin'ny taonan'ny zavakanto: | mihoatra ny 530 taona |
Karazan-kanto tany am-boalohany: | oil, gold, and silver on wood |
Habe voalohany: | Framed: 59 7/8 × 64 1/2 × 2 3/4 in, 98 lb, (152,1 × 163,8 × 7 cm, 44,5 kg) 54 1/4 × 59 in (137,8 × 149,9 cm) Other (greatest thickness): 3/8 in (1 cm) |
Museum / toerana: | Ny Mozean'ny kanto Metropolitan |
Toerana ny tranombakoka: | New York City, New York, Etazonia |
Ny tranokalan'ny tranombakoka: | Ny Mozean'ny kanto Metropolitan |
Mombamomba ny mpanoratra: | bahoaka |
Nahazoana lalana avy amin'ny: | Metropolitan Museum of Art, New York, The Cloisters Collection, 1961 |
Creditline: | The Cloisters Collection, 1961 |
Ny antsipirian'ny vokatra
Karazana vokatra fanontana: | famokarana kanto tsara |
Famokarana: | famokarana nomerika |
Teknika famokarana: | pirinty nomerika |
Vokatry ny vokatra: | Germany |
Stock type: | on demand production |
Fampiasa vokatra: | galeria rindrina, famolavolana trano |
Orientation: | endrika efajoro |
Aspect ratio: | (lava : sakany) 1 : 1 |
Fepetra: | mitovy amin'ny sakany ny lavany |
Akora: | pirinty metaly (aluminium dibond), pirinty canvas, pirinty vera acryl (miaraka amin'ny coating vera tena izy), pirinty afisy (papier canvas) |
Kanvas eo amin'ny sarin'ny tonta (printy canvas): | 20x20sm - 8x8", 30x30sm - 12x12", 50x50sm - 20x20", 70x70sm - 28x28", 100x100sm - 39x39", 150x150sm - 59x59", 180"x 180x71", 71"xXNUMX"x |
Akrilika vera printy (miaraka amin'ny tena fitaratra coating): | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Afisy vita printy (taratasy canvas): | 30x30sm - 12x12", 50x50sm - 20x20", 70x70sm - 28x28", 100x100sm - 39x39" |
Fanontam-pirinty aluminium (fitaovana aluminium dibond): | 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39" |
Fandrafetana sary pirinty: | tsy misy firafitra |
Momba ilay mpanao hosodoko
Anaran'ny mpanakanto: | Master of Saint Augustin |
zom-pirenen'ny mpanakanto: | Anarana iombonana |
Asa: | mpanao hosodoko |
Tanindrazana: | ny Holandey |
fanasokajiana: | tompo taloha |
Maty tamin'ny taona: | 10 taona |
Taona teraka: | 1485 |
Maty tamin'ny taona: | 1495 |
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