Petrus Christus, 1449 - Mpanefy volamena ao amin'ny fivarotany - printy tsara tarehy

Famaritana momba ny zavakanto avy amin'ny tranokalan'ny The Metropolitan Museum of Art (© - nataon'ny The Metropolitan Museum of Art - Ny Mozean'ny kanto Metropolitan)

A celebrated masterpiece of Northern Renaissance Art, this painting was signed and dated 1449 by Petrus Christus, the leading painter in Bruges (Flanders) after the death of Jan van Eyck. The panel attests to Netherlandish artists’ keen interest in pictorial illusionism and meticulous attention to detail, especially in the luminous jeweled, glass, and metallic objects, secular and ecclesiastic trade wares that are examples of the goldsmith's virtuosity. The main figure in this enigmatic painting was long identified as Saint Eligius (the patron saint of goldsmiths) due to the presence of a halo, which was recognized as a later addition and subsequently removed. The panel is likely a vocational painting, which portrays the profession of goldsmithing and perhaps a specific goldsmith. Technical analysis reveals the underdrawing of the goldsmith's face to be very carefully modeled—more so than the faces of the couple—indicating the possibility of a portrait. It has been suggested that he is Willem van Vleuten, a Bruges goldsmith who worked for Philip the Good, duke of Burgundy. In 1449, the date of this painting, the duke commissioned from van Vlueten a gift for Mary of Guelders on the occasion of her marriage to James II, King of Scots. That couple may well be depicted in this painting, portrayed buying a wedding ring that is being weighed on a scale. The girdle that extends over the ledge of the shop into the viewer’s space is a further allusion to matrimony. The convex mirror, which links the pictorial space to the street outside, reflects two young men with a falcon (a symbol of pride and greed) and establishes a moral comparison between the imperfect world of the viewer and the world of virtue and balance depicted here.

Ny antsipiriany momba ny vokatra printy

Ity sary hosodoko ity dia noforonin'ny mpanao hosodoko holandey Petrus Christus. The 570 years old version of the masterpiece was made with the dimensions: Overall 39 3/8 x 33 3/4 in (100,1 x 85,8 cm); painted surface 38 5/8 x 33 1/2 in (98 x 85,2 cm). Oil on oak panel was used by the Dutch artist as the medium of the work of art. This artwork is in the the Ny Metropolitan Museum of Art art collection. We are happy to mention that the work of art, which is in the bahoaka dia omena amin'ny fanajana ny Metropolitan Museum of Art, New York, Robert Lehman Collection, 1975. Furthermore, the artpiece has the creditline: Robert Lehman Collection, 1975. Further, the alignment of the digital reproduction is Mombamomba ny mpanoratra miaraka amin'ny tahan'ny 1: 1.2, izay midika izany ny lavany dia 20% fohy noho ny sakany. The Netherlandish painter, born ca. Petrus Christus was an artist from the Netherlands, whose artistic style was primarily Northern Renaissance. The Dutch painter was born in 1444 tao Baarle-Hertog, faritanin'i Antwerpen, Flanders, Belzika ary nodimandry teo amin'ny taonany 32 tamin’ny 1476 tany Bruges, West-Vlaanderen, Flanders, Belzika.

Fidio ny fitaovana vokatra tianao

Manolotra karazana habe sy fitaovana isan-karazany izahay ho an'ny vokatra tsirairay. Mifidiana amin'ireto safidy vokatra manaraka ireto izao mba hifanaraka amin'ny safidinao amin'ny habeny sy ny fitaovana:

• Ny canvas print: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. Besides, canvas generates a attractive, comfortable ambience. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang up your Canvas print without any wall-mounts. Because of thata canvas print is suited for any type of wall.
• Aluminum dibond: This is a metal print manufactured on alu dibond material with a true effect of depth. A non-reflective surface creates a fashionable impression. The UV print on aluminium is the most popular entry-level product and is a contemporary way to display art, since it draws focus on the artwork.
• Ny fanontana fitaratra acryl (miaraka amin'ny coating vera tena izy): A glossy acrylic glass print, which is sometimes denoted as a plexiglass print, transforms your favorite original artwork into wonderful home decoration. Your work of art is being made thanks to the help of state-of-the-art UV printing machines. The plexiglass protects your chosen fine art print against light and heat for between 40-60 years.
• Ny peta-drindrina vita amin'ny lamba: The Artprinta poster is a UV printed canvas paper with a granular surface texture. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the print, which facilitates the framing with a custom frame.

Fampahalalana ankapobeny momba ny mpanakanto

Angon-drakitra momba ny asa kanto

Fampahalalana momba ny lahatsoratra

Fialana andraikitra ara-dalàna: We try everything in order to depict our products in as much detail as possible and to demonstrate them visually on the product detail pages. Nevertheless, the tone of the print products and the imprint can differ marginally from the presentation on the device's screen. Depending on the settings of your screen and the nature of the surface, not all colors are printed 100% realistically. Considering that all the are printed and processed by hand, there may also be slight deviations in the exact position and the size of the motif.

© Copyright - fananana ara-tsaina an'ny | www.artprinta.com (Artprinta)