Hugo van der Goes, 1475 - Sarin'ny lehilahy iray - pirinty zavakanto tsara

Filazana antsipirihany momba ny vokatra

The Taonjato faha 15 piece of art was created by Hugo van der Goes. The 540 Ny dikan-taonan'ny zavakanto dia nolokoana tamin'ny habeny: Oval, overall 12 1/2 x 10 1/2 in (31,8 x 26,7 cm); painted surface 12 1/2 x 10 1/4 in (31,8 x 26 cm). menaka amin'ny hazo was used by the Dutch artist as the technique for the work of art. Nowadays, this piece of art can be viewed in in the Ny Metropolitan Museum of Art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art public domain masterpiece is being included with courtesy of The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. Creditline of the artwork: H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929. In addition to this, the alignment of the digital reproduction is Mombamomba ny mpanoratra ary manana ny tahan'ny sary ny 1: 1.2, which means that the length is 20% shorter than the width. The Netherlandish painter Hugo van der Goes was an artist from the Netherlands, whose art style was mainly Northern Renaissance. The Dutch painter was born in the year 1467 in Ghent, East Flanders, Flanders, Belgium and deceased at the age of 15 in the year 1482.

Fitaovana printy tsara tarehy izay azonao isafidianana:

Manolotra karazana habe sy fitaovana isan-karazany izahay ho an'ny vokatra tsirairay. Avelanay hisafidy amin'ireto variana manaraka ireto ianao:

• Afisy vita pirinty (fitaovana canvas): The Artprinta poster is a printed canvas with a fine finish on the surface. It is suited for framing your fine art print in a customized frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm around the artwork in order to facilitate the framing.
• Metal (aluminium dibond print): An Aluminium Dibond print is a print material with an impressive depth effect. The Direct Print on Aluminum Dibond is the excellent introduction to art reproductions produced on aluminum. The colors of the print are bright and vivid, the details are clear and crisp, and there’s a matte look you can literally feel.
• Ny fanontana fitaratra acryl (miaraka amin'ny coating vera tena izy): A glossy acrylic glass print, which is often denoted as a fine art print on plexiglass, will turn your favorite artwork into lovely décor.
• Ny canvas print: The canvas direct print is a printed cotton canvas mounted on a wood stretcher. Furthermore, a canvas print makes a attractive, enjoyable feeling. A canvas print has the advantage of being low in weight, which means that it is easy to hang up the Canvas print without the support of additional wall-mounts. Hence, canvas prints are suitable for any type of wall.

Fanamarihana manan-danja ara-dalàna: We try to depict our products as precisely as it is possible and to exhibit them visually on the various product detail pages. However, the tone of the print materials and the print result may diverge somehwat from the presentation on your monitor. Depending on the settings of your screen and the quality of the surface, not all colors can be printed one hundret percent realistically. Because our are printed and processed by hand, there might also be minor deviations in the motif's exact position and the size.

Fampahafantarana vokatra voarafitra

Fampahalalana momba ny zavakanto

Latabatra mpanakanto

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Famaritan'ny zavakanto nataon'ny tranombakoka (© - The Metropolitan Museum of Art - www.metmuseum.org)

Hugo van der Goes produced some of the most celebrated altarpieces of the Northern Renaissance. The heightened realism of this portrait, especially the beard stubble, is a hallmark of his work. By setting the man’s head against a dark interior, next to a bright window, the accentuated contrast of light and shadow enhances the modeling of the facial features. The portrait was later cut into an oval shape from a rectangular panel, which probably originally formed part of a devotional triptych. The sitter, with his hands joined in eternal prayer, directs his gaze toward the missing religious image.